Kangaroo Dreaming, 2012

synthetic polymer paint on canvas

60 x 90 cm

$2,000

Provenance: Palya Proper Fine Art, Alice Springs, NT Cooee Aboriginal Art Gallery, NSW
Artwork story: Edward Blitner started painting when he was seven, learning from his grandfather who painted with natural ochres on bark. He says of this time, “My grandfather would be painting on bark and we kids would sit around him and watch him grind the ochres and mix the colours. After a while he would tell us the story for that particular painting and also teach us the songs and dance for that story. When he was in a very good mood, he let us paint the sides of the bark painting. That was my start.” It has taken Edward Blitner many years to learn to paint the stories and the Dreamings passed on to him by his grandfather. He is also an accomplished woodcarver. Some of his bird carvings stand two meters high and are fully decorated and cross-hatched. The detailed cross-hatching forms part of the paintings and carvings, and is from the artist’s clan design. Edward Blitner uses the styles and subject matter of his traditional country in southern Arnhemland. He maintains the palette of natural ochre colours he usually adopts for the traditional patterning of cross-hatching referred to as rrarrk.

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b. 1961

synthetic polymer paint on canvas

60 x 90 cm

$2,000

Provenance: Palya Proper Fine Art, Alice Springs, NT Cooee Aboriginal Art Gallery, NSW
Artwork story: Edward Blitner started painting when he was seven, learning from his grandfather who painted with natural ochres on bark. He says of this time, “My grandfather would be painting on bark and we kids would sit around him and watch him grind the ochres and mix the colours. After a while he would tell us the story for that particular painting and also teach us the songs and dance for that story. When he was in a very good mood, he let us paint the sides of the bark painting. That was my start.” It has taken Edward Blitner many years to learn to paint the stories and the Dreamings passed on to him by his grandfather. He is also an accomplished woodcarver. Some of his bird carvings stand two meters high and are fully decorated and cross-hatched. The detailed cross-hatching forms part of the paintings and carvings, and is from the artist’s clan design. Edward Blitner uses the styles and subject matter of his traditional country in southern Arnhemland. He maintains the palette of natural ochre colours he usually adopts for the traditional patterning of cross-hatching referred to as rrarrk.