- Provenance
- Tiwi Designs, Wurrumiyanga, Bathurst Island, NT, Cat No. 162-01
Cooee Aboriginal Art Gallery, NSW
Accompanied by a certificate of authenticity from Tiwi Designs
- Exhibited
- 'Big Country: Australian Aboriginal Art Coast to Coast', USA, Jeffrey Moose Gallery, Seattle USA, June – September 2012
Re-Collected, Cooee Aboriginal Art Gallery, NSW, May 2013
Black Art White Walls – The Anne and Adrian Newstead Collection (Australian regional gallery tour):
Grace Cossington Smith Gallery, Wahroonga NSW, 23 January – 30 March 2014
Wagga Wagga Regional Gallery, Wagga Wagga NSW, 7 April – 12 June 2014
Walker Street Gallery, Dandenong Vic, 4 September – 8 October 2014
Moree Plains Gallery, Moree NSW, 1 December 2014 – 29 January 2015
Manning Regional Gallery, Taree NSW, 30 January – 15 March 2015
Burrinja Regional Gallery, Upwey Vic, 4 July – 28 September 2015
Brunswick Regional Gallery, Brunswick Vic, 16 October – 8 November 2015
Caloundra Regional Gallery, Caloundra Qld, 20 January – 28 February 2016
O Tempo dos Sonhos – The Time of Dreaming (Arte Aborígene Contemporânea da Austrália), Caixa Cultural Foundation & Casa Fiat de Cultura, touring 2018 – 2024:
Brazil: São Paulo, Rio de Janeiro, Belo Horizonte, Fortaleza, Curitiba, Brasília, Salvador, Recife, Uberlândia
Argentina: Buenos Aires, Córdoba
Uruguay: Montevideo
- Artwork story
- This painting incorporates both Pukamani poles and kulama. the Kulama is the central circle. Apuatimi says “that’s special Kulama yam we cook under the ground. Men rub it on their body to grow hair and keep healthy. That Kulama yam poison if you don’t cook it right.”
Pukamani poles are situated outside the circle. Apuatimi says “that poles name tutini, Pukamani Pole. For ceremony when people pass away. We put Pukamani Pole up for the last ceremony to help that spirit go to the next world. Family make Pukamani Pole for that final Pukamani ceremony."