Tunga

natural earth pigments on bark basket

65 x 51 x 30 cm

$4,000

Provenance: Tiwi Designs, Wurrumiyanga, Bathurst Island, NT, Cat No. JBA10-5-10
Artwork story: Jean Baptiste Apuatimi, was just 14 years of age when she married her late husband, Declan Apuatimi. Declan was a renowned dancer, singer, and the pre-eminent Tiwi artist of his time. During their life together, they raised fourteen children and, as she watched him create poles for important ceremonies, he taught her how to mix ochres and to paint. She became a full time artist in her own right in 1997, and from the outset her beautiful and personal paintings conformed to the twin conventions of Tiwi art - moving between the figurative depiction of ceremonial objects, and body painting designs (Jilamara). Many of her decorative body designs dated back to the time of the spirit ancestors. Amongst those that she inherited from Declan, were jirtaka (sawfish) and parlini jilamara (body painting from the creation period). However, her own personal interpretation and adaptation of these saw her move away from tight formal horizontal and vertical lines to a much freer, looser composition. Her finest works were characterised by the prominence of negative space, loose composition, and the magnification of design elements, as seen in her sawfish imagery. Jean was a meticulous painter who took great care to keep her ochres pure. This ensured that they emanated the true power of this timeless Tiwi tradition.

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c. 1940 – 2013

natural earth pigments on bark basket

65 x 51 x 30 cm

$4,000

Provenance: Tiwi Designs, Wurrumiyanga, Bathurst Island, NT, Cat No. JBA10-5-10
Artwork story: Jean Baptiste Apuatimi, was just 14 years of age when she married her late husband, Declan Apuatimi. Declan was a renowned dancer, singer, and the pre-eminent Tiwi artist of his time. During their life together, they raised fourteen children and, as she watched him create poles for important ceremonies, he taught her how to mix ochres and to paint. She became a full time artist in her own right in 1997, and from the outset her beautiful and personal paintings conformed to the twin conventions of Tiwi art - moving between the figurative depiction of ceremonial objects, and body painting designs (Jilamara). Many of her decorative body designs dated back to the time of the spirit ancestors. Amongst those that she inherited from Declan, were jirtaka (sawfish) and parlini jilamara (body painting from the creation period). However, her own personal interpretation and adaptation of these saw her move away from tight formal horizontal and vertical lines to a much freer, looser composition. Her finest works were characterised by the prominence of negative space, loose composition, and the magnification of design elements, as seen in her sawfish imagery. Jean was a meticulous painter who took great care to keep her ochres pure. This ensured that they emanated the true power of this timeless Tiwi tradition.