Artist: Bill Tjapaltjarri Whiskey | Title: Rockholes Near The Olgas | Year: 2007 | Medium: synthetic polymer paint on Belgian linen | Dimensions: 91 x 153 cm

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PROVENANCE
Watiyawanu Artists of Amunturrungu Cat No. 77-07381
Accompanied by an original certificate of authenticity form Watiyawanu Artists of Amunturrungu

ARTWORK STORY

In this painting, Rock Holes Near The Olgas water places, such as Pirupa Akla are marked by sets of concentric circles, their dazzling presence representing their powerful life-giving significance, rather than their actual size. The actions of the White Cockatoo and Crow ancestors are encrypted as dotted patches that reference topographic features associated with the Dreaming.

Artist Profile

COMMUNITY/ REGION
Mount Liebig, NT

LANGUAGE
Pitjantjatjara

BIOGRAPHY
Pitjantjatjara people joined the Western Desert art movement during the 1990s, somewhat later than other tribes. They resisted the move to painting their sacred Dreaming Stories on canvas, for public display and sale. Perhaps this partly explains why Bill Whiskey developed his own interpretation of the ancient iconography, though keeping within the conventions of the contemporary ‘dot-painting’ style… Continue Reading

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PROVENANCE
Watiyawanu Artists of Amunturrungu Cat No. 77-07381
Accompanied by an original certificate of authenticity form Watiyawanu Artists of Amunturrungu

ARTWORK STORY

In this painting, Rock Holes Near The Olgas water places, such as Pirupa Akla are marked by sets of concentric circles, their dazzling presence representing their powerful life-giving significance, rather than their actual size. The actions of the White Cockatoo and Crow ancestors are encrypted as dotted patches that reference topographic features associated with the Dreaming.

Artist Profile

COMMUNITY/ REGION
Mount Liebig, NT

LANGUAGE
Pitjantjatjara

BIOGRAPHY
Pitjantjatjara people joined the Western Desert art movement during the 1990s, somewhat later than other tribes. They resisted the move to painting their sacred Dreaming Stories on canvas, for public display and sale. Perhaps this partly explains why Bill Whiskey developed his own interpretation of the ancient iconography, though keeping within the conventions of the contemporary ‘dot-painting’ style… Continue Reading